apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Casa Natale Di Torquato Tasso a Sorrento
Casa Natale Di Torquato Tasso a Sorrento by Sylvester Shchedrin

plate no. 2158

Casa Natale Di Torquato Tasso a Sorrento

Sylvester Shchedrin

oilNeoclassicismmarinabuildingseaskyfiguresmountainsarchitecture
some experience helpful

Recreating this painting will help students practice atmospheric perspective and rendering architectural details with subtle color variations. Students will also learn to create a sense of depth using value changes and soft blending.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, mountains, and shoreline, paying attention to perspective.

  2. step 02

    Block in the sky and sea with broad, diluted washes of color.

  3. step 03

    Establish the main values of the building, using a limited palette of earth tones.

  4. step 04

    Begin adding details to the architecture, such as windows, balconies, and decorative elements.

  5. step 05

    Paint the figures in the foreground, focusing on their form and clothing.

  6. step 06

    Add the foliage and rocks in the foreground, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the details of the mountains and sky, adding subtle color variations to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red light

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of diluted color to create depth and atmosphere.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·soft blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to establish a clear sense of depth.
  • →Ignoring the subtle value changes in the sky and sea.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs