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home·artworks·Carmen Quevedo Pessanha
Carmen Quevedo Pessanha by Mariano Benlliure

plate no. 8646

Carmen Quevedo Pessanha

Mariano Benlliure

bronzeNeoclassicismportraitportraitbustfigurehairsculpture
some experience helpful

Recreating this painting will help students develop skills in rendering form through subtle value changes and understanding the interplay of light and shadow on a three-dimensional object. It also provides practice in capturing the likeness and texture of a sculpted surface.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall proportions and pose of the bust.

  2. step 02

    Block in the main shapes of the head, neck, and shoulders, focusing on accurate placement.

  3. step 03

    Establish the darkest shadows and lightest highlights to create a sense of depth.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, capturing the curls and texture with varied brushstrokes.

  6. step 06

    Develop the drapery and base, adding subtle variations in tone to suggest form.

  7. step 07

    Soften edges and blend transitions to create a smooth, sculptural effect.

  8. step 08

    Add final highlights and details to enhance the realism and capture the light.

color palette

primary · raw umber · titanium white

secondary · ivory black · yellow ochre

Mix raw umber with varying amounts of titanium white to create a range of neutral tones. Add small amounts of yellow ochre for warmth and ivory black for cooler shadows.

techniques

  • ·value studies
  • ·chiaroscuro
  • ·blending
  • ·scumbling
  • ·rendering form

common pitfalls

  • →Failing to establish accurate proportions in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Creating harsh lines and edges that detract from the sculptural effect.
  • →Ignoring subtle variations in tone that suggest form and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing values quickly.

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