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Carl Fuchs by Sarah Purser

plate no. 1635

Carl Fuchs

Sarah Purser

oilNaturalismportraitportraitmancellomusical instrumentclothingbow tie
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form through subtle value changes. It also provides practice in depicting textures and materials, such as fabric and wood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and cello on the canvas.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, paying close attention to the subtle variations in skin tone.

  4. step 04

    Develop the form of the cello, focusing on the highlights and shadows that define its shape.

  5. step 05

    Work on the details of the clothing, such as the collar and bow tie, using small brushstrokes to create texture.

  6. step 06

    Refine the background, blending the colors to create a sense of depth.

  7. step 07

    Add final highlights and details to the face, hands, and cello to bring the painting to life.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · yellow ochre · cadmium red

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. Darken colors with ivory black and lighten with white. Use yellow ochre to add warmth to highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions in the initial sketch
  • →Using too much paint and losing the subtle value changes
  • →Neglecting the background and making it too distracting

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 filbert brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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