
plate no. 8618
Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating subtle value shifts to model form.
technical profile
approach — 8 steps
Lightly sketch the basic proportions and pose of the figure on the canvas.
Block in the main areas of color: background, skin tones, clothing.
Begin refining the skin tones, paying attention to subtle shifts in value and hue.
Develop the details of the face, including the eyes, nose, and mouth.
Work on the clothing, focusing on the folds and textures of the fabric.
Add highlights and shadows to create depth and dimension.
Refine the background and edges of the figure.
Add final details and adjustments to complete the painting.
color palette
primary · ivory black · titanium white · yellow ochre · burnt umber
secondary · alizarin crimson · ultramarine blue · raw sienna
Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. Dark clothing uses ivory black lightened with white and a touch of burnt umber. The background is a mix of black, umber, and a hint of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs