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home·artworks·Carioca Square, Rio De Janeiro
Carioca Square, Rio De Janeiro by Nicolas Antoine Taunay

plate no. 3854

Carioca Square, Rio De Janeiro

Nicolas Antoine Taunay, 1816

oil, canvasNeoclassicismlandscapecityscapebuildingsskyfigurestreeshills
experienced study

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value. It will also improve their skills in rendering complex architectural details and figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, hills, and sky.

  2. step 02

    Establish the horizon line and major perspective lines for the buildings.

  3. step 03

    Block in the large areas of color for the sky, hills, and buildings, using thin washes.

  4. step 04

    Develop the sky with subtle gradations of blue and gray, creating a sense of depth and atmosphere.

  5. step 05

    Refine the shapes and values of the buildings, paying attention to the light and shadow patterns.

  6. step 06

    Add details to the buildings, such as windows, doors, and roof tiles, using a small brush.

  7. step 07

    Paint the figures and animals in the foreground, adding details to their clothing and features.

  8. step 08

    Add final touches, such as highlights and shadows, to enhance the overall sense of realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of blue and gray for the sky by blending ultramarine blue, titanium white, and a touch of burnt umber. Create warm earth tones for the buildings and hills by mixing burnt umber, yellow ochre, and raw sienna.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Failing to establish a strong sense of perspective, resulting in a flat or distorted image.
  • →Overworking the details, making the painting look too busy or cluttered.
  • →Ignoring the subtle gradations of color and value, resulting in a lack of depth and atmosphere.
  • →Inaccurate proportions of the buildings and figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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