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Card Players by Harriet Backer

plate no. 3911

Card Players

Harriet Backer, 1897

oil, canvasNaturalismgenre paintingfiguresinteriortablewindowwoodcabin
some experience helpful

Recreating this painting will help students develop skills in depicting light within an interior space and rendering figures in a realistic, yet painterly style. It also provides practice in creating a sense of depth and atmosphere using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements of the room.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin refining the colors of the walls, ceiling, and floor, paying attention to the subtle variations in tone and hue.

  4. step 04

    Develop the figures, focusing on capturing their gestures and expressions.

  5. step 05

    Add details to the table, benches, and other objects in the room.

  6. step 06

    Refine the lighting effects, paying attention to how the light from the window illuminates the scene.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the warm wood tones by mixing burnt umber and raw sienna with varying amounts of white. Use ultramarine blue to create cooler shadows and to neutralize the warm colors. Add small amounts of cadmium red light to create the flesh tones.

techniques

  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure from the beginning.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting bogged down in details before establishing the overall composition and color harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (rounds and flats)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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