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home·artworks·By the Blue Ionian Sea
By the Blue Ionian Sea by John William Godward

plate no. 7616

By the Blue Ionian Sea

John William Godward, 1916

oil, canvasNeoclassicismportraitfiguredressseatreeportraittiger skin
some experience helpful

Recreating this painting will help students develop skills in rendering realistic drapery and creating subtle skin tones. It also provides practice in depicting textures like fur and marble.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of key elements.

  2. step 02

    Establish the background: sky, sea, and tree, using thin washes of color.

  3. step 03

    Block in the main shapes of the figure and the tiger skin, focusing on accurate proportions.

  4. step 04

    Begin layering colors on the figure's dress, paying attention to the folds and highlights.

  5. step 05

    Develop the skin tones, using subtle gradations of color to create a realistic effect.

  6. step 06

    Add details to the tiger skin, using small brushstrokes to create the texture of fur.

  7. step 07

    Refine the details of the face, hands, and feet.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · cadmium red · titanium white · ultramarine blue

secondary · viridian green · yellow ochre · burnt umber

Mix various shades of red with white and small amounts of other colors to achieve the subtle variations in the dress. Use a limited palette of earth tones and white to create the marble and tiger skin.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately depict the folds and shadows in the drapery.
  • →Inaccurately rendering the proportions of the figure.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·viridian green oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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