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home·artworks·Bust portrait of Cyrus-Marie-Adélaïde de Timbrune, count of Valence, general-in-chief of the Ardennes army
Bust portrait of Cyrus-Marie-Adélaïde de Timbrune, count of Valence, general-in-chief of the Ardennes army by Merry Joseph Blondel

plate no. 6431

Bust portrait of Cyrus-Marie-Adélaïde de Timbrune, count of Valence, general-in-chief of the Ardennes army

Merry Joseph Blondel

oil, canvasNeoclassicismportraitportraitfigureclothinghistoricalmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones, as well as rendering of fabric and metallic details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Block in the skin tones, paying attention to subtle variations in color temperature.

  4. step 04

    Refine the facial features, focusing on accurate placement and proportions.

  5. step 05

    Paint the clothing, including the details of the collar, buttons, and trim.

  6. step 06

    Add the hair, using short, directional brushstrokes to create texture.

  7. step 07

    Adjust the values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · raw umber · ultramarine blue · cadmium yellow

Mix skin tones by blending white, yellow ochre, and cadmium red light. Use raw umber and ultramarine blue to create shadows and depth. Achieve the gold trim by mixing cadmium yellow with a touch of raw umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·rendering metallic details

common pitfalls

  • →Incorrect proportions of facial features
  • →Over-blending of skin tones resulting in a flat appearance
  • →Inaccurate color mixing
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

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oil painting for beginners →how to learn by studying the masters →
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