apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Boys on the beach
Boys on the beach by Eugène Jansson

plate no. 6375

Boys on the beach

Eugène Jansson

oilSymbolismnude painting (nu)beachboyswaterskyfiguresshore
some experience helpful

This painting offers a good exercise in depicting figures in a landscape and capturing the subtle color variations in water and sky. Students can practice creating a sense of depth through atmospheric perspective and rendering realistic skin tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, water, and land, using thin washes.

  3. step 03

    Establish the basic values for the figures, paying attention to the light source.

  4. step 04

    Develop the details of the figures, including clothing and skin tones.

  5. step 05

    Add details to the landscape, such as rocks, grass, and distant trees.

  6. step 06

    Refine the colors and values, paying attention to the atmospheric perspective.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · raw umber · cadmium red light

Mix blues and whites for the sky and water, adding touches of yellow ochre for warmth. Use burnt sienna and raw umber for earth tones, and mix with white for lighter areas.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull