apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bonaparte
Bonaparte by Jacques-Louis David

plate no. 0326

Bonaparte

Jacques-Louis David, 1798

oilNeoclassicismportraitportraitfiguremanhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using value to create form. It also provides practice in loose brushwork and subtle color mixing for skin tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Begin building up the skin tones, layering colors and blending edges.

  4. step 04

    Define the features of the face, paying attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, using varied brushstrokes to create texture.

  6. step 06

    Paint the clothing, focusing on the folds and shadows.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · titanium white · burnt umber · ivory black · yellow ochre

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. Black is used sparingly to deepen shadows. Mix small amounts of blue into the shadows to cool them.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·loose brushwork
  • ·value study

common pitfalls

  • →Overworking the skin tones, leading to a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Using too much black, resulting in harsh shadows.
  • →Ignoring the subtle color variations in the skin.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Titanium white oil paint
  • ·Burnt umber oil paint
  • ·Ivory black oil paint
  • ·Yellow ochre oil paint
  • ·Cadmium red light oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

Use a canvas with a smooth texture for easier blending. Consider using a medium like linseed oil to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs