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home·artworks·Bishop of the Russian Orthodox Church
Bishop of the Russian Orthodox Church by Vladimir Borovikovsky

plate no. 2902

Bishop of the Russian Orthodox Church

Vladimir Borovikovsky

oilNeoclassicismportraitportraitfigurereligious figurerobecrowncolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of facial features, as well as practice in depicting complex textures and patterns in clothing and ornamentation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure, crown, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of paint.

  3. step 03

    Focus on the face, carefully building up the skin tones and features using layering and blending techniques.

  4. step 04

    Work on the robe and other clothing, paying attention to the folds, highlights, and shadows.

  5. step 05

    Add the details of the crown, jewelry, and other ornamentation, using small brushes and precise strokes.

  6. step 06

    Refine the background and adjust the overall color balance to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a luminous effect.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · emerald green · cadmium red light · purple

Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white, adjusting the proportions to create subtle variations. Mix ivory black and raw umber for dark areas and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·blending
  • ·rendering of textures

common pitfalls

  • →Inaccurate proportions in the initial sketch can lead to a distorted likeness.
  • →Overworking the details too early can result in a stiff and lifeless painting.
  • →Failing to establish a strong value structure can make the painting appear flat and muddy.
  • →Not paying attention to the subtle color variations in the skin tones can make the face look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·emerald green oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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