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home·artworks·Berkeley and Dorothy Sheffield
Berkeley and Dorothy Sheffield by Sarah Purser

plate no. 8722

Berkeley and Dorothy Sheffield

Sarah Purser, 1885

oilNaturalismportraitfigureschildrenportraitclothinginteriorbackground figures
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex fabric folds and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Carefully render the details of the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Add the background elements, keeping them soft and out of focus.

  6. step 06

    Refine the details of the faces, capturing the likeness of the subjects.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · cadmium yellow light · alizarin crimson · ivory black

Mix various shades of white with small amounts of raw umber and burnt sienna to create the off-white tones of the clothing. Use alizarin crimson and cadmium yellow light to achieve the pink hues.

techniques

  • ·portraiture
  • ·glazing
  • ·underpainting
  • ·value studies
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details of the clothing.
  • →Failing to capture the likeness of the subjects.
  • →Using too much color in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas with a smooth surface for best results. Consider using a medium to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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