apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Barroom Dancing
Barroom Dancing by John Lewis Krimmel

plate no. 4658

Barroom Dancing

John Lewis Krimmel, 1820

oilNeoclassicismgenre paintingfiguresinteriordancingbarroomfireplacedog
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition, and rendering interior spaces with a focus on capturing the atmosphere and interactions between the figures. Students will also learn to create a sense of depth and perspective within a complex scene.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Refine the sketch, paying attention to proportions and perspective.

  3. step 03

    Block in the main color areas, starting with the background and largest shapes.

  4. step 04

    Gradually build up the details, working from general to specific.

  5. step 05

    Focus on rendering the figures, paying attention to anatomy and clothing folds.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the interior, including the furniture and accessories.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · burnt sienna · raw umber · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of brown and beige by combining burnt sienna, raw umber, and white. Use small amounts of red, blue, and yellow to create variations in skin tones and clothing colors.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Incorrect proportions of figures.
  • →Lack of depth and perspective.
  • →Overworking the details.
  • →Muddy color mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning brushes)

optional

  • ·easel
  • ·varnish
  • ·retarder

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs