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home·artworks·Banquet at the House of Simon
Banquet at the House of Simon by Bernardo Strozzi

plate no. 2915

Banquet at the House of Simon

Bernardo Strozzi, 1630

oil, canvasTenebrismreligious paintingfigurestablearchitectureinteriorreligious scenedog
experienced study

Recreating this painting will help students develop skills in figure drawing, dramatic lighting techniques (tenebrism), and creating a sense of depth through atmospheric perspective. It also provides practice in rendering complex compositions with many figures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of dark and light using thin washes of color.

  3. step 03

    Focus on the figures closest to the viewer, developing their forms and details.

  4. step 04

    Gradually add details to the figures further back, softening edges and reducing contrast to create depth.

  5. step 05

    Pay close attention to the light source and how it affects the forms and colors.

  6. step 06

    Refine the details of the architecture and other elements in the background.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw sienna · ivory black · cadmium red

secondary · yellow ochre · titanium white · ultramarine blue

Mix darks with burnt umber and ivory black. Use raw sienna and yellow ochre for warm highlights. Mix cadmium red with burnt umber for rich reds and browns. Use ultramarine blue to cool down shadows.

techniques

  • ·tenebrism
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of figures.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a smooth texture for easier blending. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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