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home·artworks·Autumn Sun, Three Goddesses
Autumn Sun, Three Goddesses by Frantisek Kupka

plate no. 4334

Autumn Sun, Three Goddesses

Frantisek Kupka, 1906

oilSymbolismallegorical paintingfigurestreesfoliageapplesnudeslandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, color mixing for skin tones, and creating depth through atmospheric perspective. It also provides practice in capturing the interplay of light and shadow on complex forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figures and the basic composition.

  2. step 02

    Establish the background with broad strokes of dark greens and browns, focusing on the overall tonal values.

  3. step 03

    Block in the figures with a base layer of warm, muted pinks and oranges.

  4. step 04

    Begin building up the skin tones with layers of highlights and shadows, paying attention to the form and anatomy.

  5. step 05

    Add details to the faces, hair, and hands, using smaller brushes and more precise strokes.

  6. step 06

    Paint the apple tree foliage and apples, using a variety of greens, reds, and yellows.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · burnt sienna · raw umber · cadmium red light

secondary · viridian green · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, sienna, and a touch of red. Use green and umber for shadows. Mix greens with yellow ochre and blue for foliage.

techniques

  • ·figure drawing
  • ·color mixing for skin tones
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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