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home·artworks·Autumn landscape
Autumn landscape by Mikhaïl Nesterov

plate no. 1838

Autumn landscape

Mikhaïl Nesterov, 1934

oilSymbolismlandscapetreeslakeforestfigureautumnreflection
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle nuances of light and shadow in a natural landscape. It also provides practice in depicting reflections in water and rendering the human figure within a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, lake, and figure.

  2. step 02

    Block in the main areas of color: the sky, water, forest, and foreground.

  3. step 03

    Begin layering colors to create the texture of the trees and foliage, using short, broken brushstrokes.

  4. step 04

    Develop the reflections in the water, paying attention to the color and value relationships.

  5. step 05

    Add details to the figure, focusing on the light and shadow on the clothing.

  6. step 06

    Refine the foreground, adding details such as grasses and fallen leaves.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · sap green · ultramarine blue

Mix various shades of brown and green by combining the primary colors with small amounts of blue and red. Use white to lighten the colors and create highlights.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a convincing sense of depth in the landscape.
  • →Making the reflections too literal and not capturing the subtle distortions of the water.
  • →Using colors that are too saturated and not capturing the muted tones of autumn.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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