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home·artworks·Autumn Landscape
Autumn Landscape by Jacob van Strij

plate no. 4491

Autumn Landscape

Jacob van Strij

oilNeoclassicismlandscapelandscapecloudsfiguresanimalsbuildingtrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle variations in light and shadow within a landscape. It also provides practice in rendering figures and animals in a naturalistic setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, building, figures, and cloud formations.

  2. step 02

    Establish the basic color blocks for the sky, land, and building, using thin washes.

  3. step 03

    Develop the cloud formations, paying attention to the subtle gradations of light and shadow.

  4. step 04

    Add details to the building, including windows, roof texture, and surrounding vegetation.

  5. step 05

    Paint in the figures and animals, focusing on their proportions and placement within the scene.

  6. step 06

    Refine the foreground details, such as the path, vegetation, and any small objects.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to add warmth to the earth tones. Create the sky by mixing ultramarine blue and titanium white, adding a touch of raw umber for a muted effect.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Creating overly saturated colors
  • →Ignoring the subtle shifts in value
  • →Losing the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use a medium-tooth canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

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