apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·At the foot of Mount Grappa
At the foot of Mount Grappa by Vittorio Tessari

plate no. 0746

At the foot of Mount Grappa

Vittorio Tessari

oil, canvasNaturalismgenre paintingfigurelandscapewatermountainsbucketstrees
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding atmospheric perspective. It also provides practice in rendering realistic textures and light effects on various surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, water source, and landscape elements.

  2. step 02

    Establish the sky and distant mountains with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the trees, foliage, and ground, using a limited palette of greens and browns.

  4. step 04

    Define the figure's form and clothing with careful attention to light and shadow.

  5. step 05

    Paint the water source and buckets, focusing on the reflections and transparency of the water.

  6. step 06

    Add details to the landscape, such as rocks, grass, and small plants.

  7. step 07

    Refine the overall composition and adjust values to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · sap green · raw sienna

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create atmospheric perspective by lightening and desaturating colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·color mixing
  • ·rendering form

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, cadmium red, sap green, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt