
plate no. 6866
Alexej von Jawlensky, 1919
This painting offers a great opportunity to practice color mixing and layering to achieve subtle tonal variations. Students can also explore simplified forms and expressive brushstrokes to convey emotion.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the face, eyes, nose, and mouth.
Apply a base layer of muted grey/beige across the entire canvas.
Block in the larger areas of color, such as the blue/grey skin tone, pink cheeks, and red lips.
Add the darker lines defining the facial features (eyes, nose, mouth, hair).
Introduce small dabs of color around the face to create visual texture and interest.
Refine the shapes and colors, paying attention to the subtle variations in tone.
Add final details, such as the highlights in the eyes and the dark lines of the hair.
Let dry and add a varnish layer.
color palette
primary · Prussian Blue · Titanium White · Cadmium Red Light · Yellow Ochre
secondary · Burnt Umber · Emerald Green
Mix white with small amounts of blue and yellow ochre to create the base skin tone. Use red and white for the cheeks, and red with a touch of umber for the lips. Mix blue and yellow for the green accents.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use good quality paints for better color saturation. Consider using a toned canvas to start with.
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