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home·artworks·Arrival of Emigres with the Duchess of Berry on the French Coast
Arrival of Emigres with the Duchess of Berry on the French Coast by Carle Vernet

plate no. 8012

Arrival of Emigres with the Duchess of Berry on the French Coast

Carle Vernet

oilNeoclassicismgenre paintingfiguresstormcarriageoceancloudscoastline
experienced study

Recreating this painting will help students develop skills in depicting figures in motion, rendering atmospheric perspective, and creating dramatic lighting effects. It also provides practice in mixing a range of neutral tones and capturing the texture of turbulent water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures, the carriage, and the coastline.

  2. step 02

    Block in the large areas of color, starting with the sky and the ocean, using thin washes.

  3. step 03

    Establish the dark values in the clouds and the shadows on the rocks and figures.

  4. step 04

    Begin to define the shapes of the figures, paying attention to their poses and gestures.

  5. step 05

    Add details to the carriage and the horses, using smaller brushes.

  6. step 06

    Work on the waves, building up layers of paint to create the illusion of movement and texture.

  7. step 07

    Refine the details of the figures' faces and clothing.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Achieve the stormy sky by blending ultramarine blue, white, and a touch of burnt umber. Mix various browns and grays for the rocks and figures by combining burnt umber, yellow ochre, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating flat, lifeless figures.
  • →Not capturing the sense of movement and energy in the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the transparency of the colors.

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