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home·artworks·Arc de Triomphe
Arc de Triomphe by Jury Annenkov

plate no. 1043

Arc de Triomphe

Jury Annenkov, 1929

oilSymbolismcityscapeArc de Triomphecityscapebuildingsstreet lampstreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering, creating atmospheric perspective, and using a limited palette to achieve tonal harmony. It will also encourage experimentation with texture and expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the Arc de Triomphe, buildings, and street lamps, focusing on proportions and perspective.

  2. step 02

    Apply a thin, neutral-toned wash over the entire canvas to create an underpainting.

  3. step 03

    Begin layering darker tones to define the shadows and architectural details of the Arc de Triomphe.

  4. step 04

    Add lighter tones to create highlights and suggest the form of the buildings and street lamps.

  5. step 05

    Use dry brush techniques to add texture to the stone surfaces and trees.

  6. step 06

    Introduce subtle color variations to create atmospheric perspective and depth.

  7. step 07

    Refine the details of the street lamps and other foreground elements.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · payne's gray

Achieve the various shades of gray and brown by mixing raw umber, ivory black, and titanium white in different proportions. Use burnt sienna to warm up certain areas and payne's gray for cooler shadows.

techniques

  • ·dry brush
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, which can flatten the image.
  • →Using colors that are too saturated, which can disrupt the tonal harmony.
  • →Neglecting the importance of subtle value changes in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the dry brush effects. Consider using a fast-drying medium to speed up the layering process.

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