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home·artworks·Anzac from Gaba Tepe
Anzac from Gaba Tepe by George Washington Lambert

plate no. 0062

Anzac from Gaba Tepe

George Washington Lambert

oilSymbolismlandscapeseamountainsskyvegetationlandscapecliffs
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex landscapes into basic shapes and values. Students will also learn to use visible brushstrokes to add energy and interest to the painting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, sea, and foreground cliffs.

  2. step 02

    Block in the sky with a thin wash of blue and gray.

  3. step 03

    Establish the dark blue of the sea, paying attention to the horizontal brushstrokes.

  4. step 04

    Begin layering colors on the mountains, using browns, tans, and greens to create the rocky texture.

  5. step 05

    Work on the foreground cliffs, using a variety of browns and greens to create depth and shadow.

  6. step 06

    Add details to the vegetation, using short, broken brushstrokes.

  7. step 07

    Introduce highlights on the cliffs and vegetation to create contrast.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · payne's gray

Mix different shades of blue for the sea by adding white or a touch of gray. Create the mountain colors by mixing burnt umber, yellow ochre, and white. Use sap green and burnt umber for the vegetation.

techniques

  • ·dry brush texture
  • ·layering
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Creating flat, uniform colors instead of layering and blending.
  • →Ignoring the importance of value contrast in creating depth.
  • →Not simplifying the landscape into basic shapes before adding details.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for better texture. Consider using a limited palette to simplify the color mixing process.

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