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home·artworks·Antoine 9th Duke of Gramont, (1789-1855), Prince of Bidache, Grand Officer of the Légion D'honneur, Knight of Saint Louis, Grand Cross of the Royal Order of Saint Maurice and Saint Lazare, Lieutenant General of the King's Army
Antoine 9th Duke of Gramont, (1789-1855), Prince of Bidache, Grand Officer of the Légion D'honneur, Knight of Saint Louis, Grand Cross of the Royal Order of Saint Maurice and Saint Lazare, Lieutenant General of the King's Army by François Gérard

plate no. 4510

Antoine 9th Duke of Gramont, (1789-1855), Prince of Bidache, Grand Officer of the Légion D'honneur, Knight of Saint Louis, Grand Cross of the Royal Order of Saint Maurice and Saint Lazare, Lieutenant General of the King's Army

François Gérard

oilNeoclassicismportraitportraitfiguremilitaryclothinggoldjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures like fabric and metallic details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure and the main elements of the composition.

  2. step 02

    Establish the background with a light, blended wash of blues and whites.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with corresponding local colors.

  4. step 04

    Develop the values and forms of the face, paying attention to highlights and shadows.

  5. step 05

    Add details to the clothing, including the gold embellishments and decorations.

  6. step 06

    Refine the details of the face, hair, and hands, adding subtle variations in color and texture.

  7. step 07

    Glaze over the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and details to the jewelry and embellishments.

color palette

primary · ivory black · titanium white · raw umber · cadmium yellow

secondary · alizarin crimson · ultramarine blue · burnt sienna

Mix various shades of black and brown with white to create the dark clothing. Use yellow with touches of brown and white for the gold details. Mix red and white for skin tones, adding small amounts of yellow, blue, and brown for subtle variations.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering metallic details

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Oversimplifying the color palette and not capturing the subtle variations in skin tone.
  • →Making the gold embellishments look flat and unrealistic.
  • →Losing the overall composition by focusing too much on individual details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending.

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