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home·artworks·An Irish Idyll
An Irish Idyll by Sarah Purser

plate no. 4247

An Irish Idyll

Sarah Purser, 1894

oilNaturalismportraitfiguresportraitchildrenclothingmotherhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle expressions and rendering realistic skin tones. It also provides practice in creating depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the figures, paying attention to the overall values.

  4. step 04

    Begin to refine the skin tones, layering subtle variations of color.

  5. step 05

    Add details to the clothing, capturing the folds and textures.

  6. step 06

    Focus on the facial features, paying close attention to the eyes and mouth to convey emotion.

  7. step 07

    Refine the highlights and shadows to create depth and form.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve skin tones by mixing white, raw sienna, and small amounts of red and blue. Use umber and black for shadows, and white and yellow ochre for highlights. Mute colors by mixing complementary colors.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Neglecting the subtle variations in skin tones.
  • →Getting lost in details too early.
  • →Ignoring the overall mood and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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