
plate no. 9814
John William Godward, 1895
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating soft, blended transitions. It also provides practice in capturing the texture and form of hair.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and hair.
Establish the background with a dark, blended tone.
Block in the main skin tones, focusing on the light and shadow areas.
Begin layering and blending the skin tones to create smooth transitions.
Start building up the hair, using a variety of brushstrokes to suggest texture and volume.
Add details to the face, such as the eyes, nose, and mouth, paying attention to subtle variations in tone and color.
Paint the headband, capturing its form and texture.
Refine the overall painting, adjusting values and adding final details.
color palette
primary · titanium white · burnt sienna · yellow ochre · cadmium red
secondary · ultramarine blue · ivory black
Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt sienna. Use ultramarine blue and ivory black sparingly to create cooler shadows and subtle variations in tone.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow and blending of the paints.
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