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home·artworks·Amor sagrado, amor profano
Amor sagrado, amor profano by Julio Romero de Torres

plate no. 2517

Amor sagrado, amor profano

Julio Romero de Torres, 1908

oilSymbolismallegorical paintingfigureslandscapearchitecturecolumnsgardenallegory
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure painting, and creating atmospheric perspective. It also offers practice in rendering fabric and subtle color transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures and background.

  2. step 02

    Block in the main shapes and colors of the background landscape, focusing on the overall tonal values.

  3. step 03

    Establish the basic skin tones and features of the two figures, paying attention to their individual characteristics.

  4. step 04

    Begin layering the fabric of the dresses, using subtle color variations to create form and depth.

  5. step 05

    Refine the details of the faces, hands, and other key areas, adding highlights and shadows.

  6. step 06

    Add details to the background architecture and foliage, maintaining a sense of atmospheric perspective.

  7. step 07

    Adjust the overall color balance and tonal values to create a cohesive and harmonious composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · cerulean blue · alizarin crimson

secondary · yellow ochre · raw umber

Mix greens by combining blues and yellows, and use white to create lighter tones. Achieve the skin tones by mixing white, red, yellow, and a touch of brown. Use glazes of color to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Inaccurate proportions of the figures.
  • →Ignoring the subtle color variations in the fabric.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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