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home·artworks·Allegoria De La Música
Allegoria De La Música by Joan Brull

plate no. 0083

Allegoria De La Música

Joan Brull

oilSymbolismallegorical paintingfigurelandscapecityscapeskymusical instrumentfoliage
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering soft, diffused light. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, cityscape, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses for the sky, cityscape, and figure, paying attention to the atmospheric perspective.

  4. step 04

    Develop the details of the cityscape, using progressively lighter values to suggest distance.

  5. step 05

    Refine the figure's form and features, focusing on the subtle gradations of light and shadow.

  6. step 06

    Add details to the foliage and foreground, using a variety of brushstrokes to create texture.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the atmospheric effects.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · alizarin crimson · viridian green

Achieve the muted tones by mixing complementary colors and using white to create subtle value shifts. The sky uses a blend of blues, pinks, and grays. The figure's clothing incorporates blues, greens, and reds, all softened with earth tones.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·soft blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details in the cityscape, which should remain soft and diffused.
  • →Creating harsh lines or edges, which will detract from the overall atmospheric effect.
  • →Failing to establish a clear value structure, which will result in a flat and unconvincing painting.
  • →Using colors that are too saturated, which will clash with the muted palette of the original.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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