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home·artworks·Alida Livingston Armstrong and Daughter
Alida Livingston Armstrong and Daughter by Rembrandt Peale

plate no. 4854

Alida Livingston Armstrong and Daughter

Rembrandt Peale

oilNeoclassicismportraitportraitfiguresclothingmotherchild
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering fabric textures. It also provides practice in creating a sense of depth and form through careful shading and highlighting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of figures.

  2. step 02

    Block in the background with a dark, neutral tone.

  3. step 03

    Establish the main shapes and values of the figures' clothing and skin.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle shifts in hue and value.

  5. step 05

    Refine the details of the faces, including the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing, such as the lace, ribbons, and folds.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · titanium white · burnt sienna · alizarin crimson

secondary · ivory black · yellow ochre · viridian

Achieve skin tones by mixing white, sienna, and crimson, adjusting proportions for highlights and shadows. Darken colors with black, and use yellow ochre to warm up the skin tones. Mix viridian with white for the green ribbon.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the clothing.
  • →Flat or lifeless rendering of the faces.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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related guides

oil painting for beginners →paint like rembrandt →how to learn by studying the masters →
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