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home·artworks·Alexander at the Tomb of Cyrus the Great
Alexander at the Tomb of Cyrus the Great by Pierre-Henri de Valenciennes

plate no. 3070

Alexander at the Tomb of Cyrus the Great

Pierre-Henri de Valenciennes, 1796

oilNeoclassicismlandscapearchitecturefigureslandscapeskycloudstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, figure painting within a landscape, and rendering architectural details with light and shadow. It also provides practice in creating a balanced composition with multiple focal points.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the architecture, figures, and landscape elements.

  2. step 02

    Establish the horizon line and the perspective of the architectural structures.

  3. step 03

    Block in the large areas of color, starting with the sky and the distant landscape.

  4. step 04

    Develop the values of the buildings, creating a sense of depth and form.

  5. step 05

    Add details to the figures, paying attention to their poses and interactions.

  6. step 06

    Refine the details of the architecture, including the carvings and textures.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium red light · ivory black

Mix various shades of blue and white for the sky, adding touches of yellow ochre for warmth. Use burnt umber and yellow ochre for the buildings, adjusting the values with white and black. Mix red and umber for the figures' clothing.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·linear perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Creating figures that are disproportionate or unnatural.
  • →Not unifying the colors with glazes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help unify the colors.

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related guides

oil painting for beginners →how to learn by studying the masters →
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