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After school by Ferdinand Georg Waldmüller

plate no. 2435

After school

Ferdinand Georg Waldmüller, 1841

oil, oakBiedermeiergenre paintingfigureschildrenbuildingteacherschoolfoliage
experienced study

Recreating this painting would help students develop skills in figure drawing, portraiture, and rendering complex compositions with many subjects. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Establish the background tones, starting with the darkest areas inside the doorway and gradually lightening towards the foreground.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, paying attention to the overall color harmony.

  4. step 04

    Refine the figures' features and details, using smaller brushes and subtle color variations to create realistic forms.

  5. step 05

    Add highlights and shadows to create depth and dimension, focusing on areas where light is strongest.

  6. step 06

    Develop the details of the architectural elements, such as the brickwork and foliage, using a variety of brushstrokes.

  7. step 07

    Pay attention to the textures of the different materials, such as the fabric of the clothing and the roughness of the brick.

  8. step 08

    Make final adjustments to the composition, ensuring that all elements are in balance and harmony.

color palette

primary · raw umber · titanium white · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing titanium white, cadmium red light, and a touch of yellow ochre. Use raw umber and ivory black to create shadows and darker tones. Mix ultramarine blue with white and a touch of raw umber for the cooler tones in the clothing and background.

techniques

  • ·figure drawing
  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth and dimension
  • →Ignoring the importance of light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·assorted round and flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next. Use a medium to thin the paint and improve its flow.

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