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home·artworks·After a shower near Pisa
After a shower near Pisa by Giovanni (Nino) Costa

plate no. 2365

After a shower near Pisa

Giovanni (Nino) Costa

oil, canvasNaturalismlandscapelandscapefieldtreesskypondvegetation
suitable for beginners

Recreating this painting will help students understand atmospheric perspective and how to depict depth using subtle color and value changes. It's also a good exercise in capturing the texture of fields and foliage with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line, the pond shape, and the general placement of the trees.

  2. step 02

    Block in the sky with a light gray-blue, blending softly.

  3. step 03

    Establish the dark mass of the trees in the background, varying the greens and browns.

  4. step 04

    Paint the middle ground fields with a base of yellow ochre and raw sienna, adding subtle variations.

  5. step 05

    Define the pond with muted blues and grays, reflecting the sky.

  6. step 06

    Add details to the foreground vegetation with short, broken brushstrokes, using a mix of yellows, greens, and browns.

  7. step 07

    Introduce small highlights to suggest sunlight on the foliage.

  8. step 08

    Refine the details and adjust values to create depth and atmosphere.

color palette

primary · yellow ochre · raw sienna · titanium white · ultramarine blue

secondary · burnt umber · sap green · cadmium yellow light

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by lightening and graying colors as they recede into the distance.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Using colors that are too saturated, which will detract from the muted atmosphere.
  • →Ignoring the subtle value shifts that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

A slightly textured canvas will help to create the broken color effect.

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