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home·artworks·Ad Astra
Ad Astra by Akseli Gallen-Kallela

plate no. 7994

Ad Astra

Akseli Gallen-Kallela, 1907

oilSymbolismmythological paintingfigureskystarsmoonwatermythological
some experience helpful

Recreating this painting will help students develop skills in blending skin tones and creating atmospheric perspective. The hair provides an opportunity to practice rendering complex, flowing forms.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the moon and horizon line.

  2. step 02

    Block in the background colors: the dark blue of the sky and the reddish-brown of the water.

  3. step 03

    Establish the basic skin tones of the figure, paying attention to the subtle variations in light and shadow.

  4. step 04

    Begin rendering the hair, using thin layers of paint to create the flowing strands.

  5. step 05

    Add the highlights and shadows to the figure, refining the form and creating depth.

  6. step 06

    Paint the moon, using gold or yellow paint to create a luminous effect.

  7. step 07

    Add the stars to the sky, using small dots of white or light yellow paint.

  8. step 08

    Refine the details of the water, adding subtle variations in color and texture.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · gold

Skin tones can be achieved by mixing white, yellow ochre, and a touch of red and umber. The dark blue sky is ultramarine with a touch of burnt umber. The water is primarily burnt umber with white and red mixed in.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·atmospheric perspective

common pitfalls

  • →Overblending skin tones, resulting in a flat, lifeless appearance.
  • →Failing to create a sense of depth in the background.
  • →Making the hair look too stiff or unnatural.
  • →Inaccurate proportions of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·gold leaf
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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