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home·artworks·A View on Lake George
A View on Lake George by David Johnson

plate no. 8564

A View on Lake George

David Johnson, 1876

oilLuminismlandscapelaketreesmountainskyboatsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic foliage and water reflections.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the lake, mountains, and trees.

  2. step 02

    Establish the sky with soft, blended blues and whites, creating a sense of atmospheric perspective.

  3. step 03

    Block in the distant mountain with muted greens and grays, paying attention to value changes.

  4. step 04

    Paint the trees in layers, starting with darker greens and adding highlights to create depth and form.

  5. step 05

    Render the water with horizontal brushstrokes, capturing the reflections of the trees and sky.

  6. step 06

    Add details to the foreground rocks and foliage, using a variety of greens, browns, and yellows.

  7. step 07

    Paint the boats and figures, paying attention to their scale and placement within the scene.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and luminosity of the painting.

color palette

primary · viridian green · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium yellow light

Mix greens by combining blues and yellows, and use raw umber to create muted tones for the distant mountain and shadows. Add white to lighten colors and create atmospheric perspective.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountain, losing the sense of atmospheric perspective.
  • →Making the colors too saturated, resulting in an unrealistic and unnatural appearance.
  • →Neglecting the importance of value changes in creating depth and form.
  • →Failing to capture the subtle reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 filbert brush
  • ·#4 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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