apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Souvenir
A Souvenir by John William Godward

plate no. 4108

A Souvenir

John William Godward, 1920

oil, canvasNeoclassicismgenre paintingfiguredressseaskyflowersbeads
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding subtle color variations and light transitions.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main color areas: sky, sea, figure's dress, and background elements.

  3. step 03

    Begin layering the skin tones, paying close attention to highlights and shadows.

  4. step 04

    Develop the drapery of the dress, focusing on the folds and how light interacts with the fabric.

  5. step 05

    Add details to the background elements, such as the sea, sky, and flowers.

  6. step 06

    Refine the figure's features and the details of the beads.

  7. step 07

    Adjust the overall color balance and values to create a harmonious composition.

  8. step 08

    Add final highlights and details.

color palette

primary · titanium white · alizarin crimson · ultramarine blue · yellow ochre

secondary · burnt umber · cadmium red light · viridian

Achieve skin tones by mixing white, yellow ochre, and alizarin crimson, with small amounts of blue or umber for shadows. The pinks in the dress are created by mixing white and alizarin crimson. The sea is a mix of blue and white with touches of green.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering drapery

common pitfalls

  • →overmixing colors
  • →flattening the drapery
  • →inaccurate proportions
  • →neglecting subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs