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home·artworks·A Share of a Crust
A Share of a Crust by Augustus Edwin Mulready

plate no. 2219

A Share of a Crust

Augustus Edwin Mulready, 1871

oil, canvasNaturalismgenre paintingboydogbuildingcolumnstreetfigure
some experience helpful

Recreating this painting will help students develop skills in rendering figures and animals with realistic textures, as well as understanding atmospheric perspective and creating a focal point through light and shadow. It also provides practice in capturing subtle color variations to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boy, dog, and architectural elements.

  2. step 02

    Establish the main light source and block in the large shadow shapes.

  3. step 03

    Begin painting the background, using thin washes to create atmospheric perspective.

  4. step 04

    Develop the figures of the boy and dog, paying attention to anatomical accuracy and proportions.

  5. step 05

    Add details to the clothing, hair, and facial features, using smaller brushes.

  6. step 06

    Refine the architectural details, such as the column and building facade.

  7. step 07

    Adjust the values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the focal point and create visual interest.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow light · alizarin crimson · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, burnt sienna, ivory black, titanium white, yellow ochre, alizarin crimson, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

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