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home·artworks·A Sergeant of Light Horse in Palestine
A Sergeant of Light Horse in Palestine by George Washington Lambert

plate no. 9377

A Sergeant of Light Horse in Palestine

George Washington Lambert, 1920

oilSymbolismportraitportraitfigureskymountainshatmilitary
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding atmospheric perspective in landscape painting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, hat, and background mountains.

  2. step 02

    Block in the basic colors of the sky, mountains, and figure using thin washes.

  3. step 03

    Start building up the skin tones, paying attention to highlights and shadows.

  4. step 04

    Add details to the face, focusing on capturing the likeness of the subject.

  5. step 05

    Develop the details of the uniform and hat, including the texture of the feathers.

  6. step 06

    Refine the background mountains, using lighter colors to create atmospheric perspective.

  7. step 07

    Add final highlights and shadows to enhance the overall depth and dimension.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · raw umber · cadmium red light

Mix skin tones using white, burnt sienna, and a touch of red. Create atmospheric perspective in the mountains by mixing blue and white with small amounts of yellow ochre and burnt sienna.

techniques

  • ·portraiture
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating a flat, lifeless background.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·cadmium red light oil paint

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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