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A Romanian by Roger de La Fresnaye

plate no. 7022

A Romanian

Roger de La Fresnaye

oilSymbolismportraitportraitfigurechairclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including proportion and capturing likeness, as well as color mixing for skin tones and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Block in the background with a muted blue-gray tone.

  3. step 03

    Establish the main color areas: skin, hair, clothing, and chair.

  4. step 04

    Refine the facial features, paying attention to light and shadow.

  5. step 05

    Develop the details of the clothing and chair, adding folds and textures.

  6. step 06

    Blend and soften edges to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to enhance the form.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · flesh tint · cadmium red · ultramarine blue · raw umber

secondary · titanium white · yellow ochre · burnt sienna

Mix skin tones using flesh tint, white, yellow ochre, and a touch of red. Achieve the red shirt color by mixing cadmium red with a touch of white and a hint of raw umber to mute it. The blue-gray background is created by mixing ultramarine blue, white, and raw umber.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall impression.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: flesh tint, cadmium red, ultramarine blue, raw umber, titanium white, yellow ochre, burnt sienna
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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