apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A pond near Nangis
A pond near Nangis by Paul Trouillebert

plate no. 7499

A pond near Nangis

Paul Trouillebert, 1895

oil, canvasNaturalismlandscapetreeswaterfigureboatskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in capturing the subtle nuances of light and shadow in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and figure.

  2. step 02

    Establish the sky with broad, blended strokes of light gray and white.

  3. step 03

    Block in the dark masses of the trees and foliage using a mix of greens and browns.

  4. step 04

    Add the water, reflecting the sky and surrounding landscape with horizontal strokes.

  5. step 05

    Define the figure and boat with simple shapes and muted colors.

  6. step 06

    Layer in details such as individual leaves, branches, and reflections in the water.

  7. step 07

    Refine the values and colors, paying attention to the atmospheric perspective.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · payne's gray

Mix greens by combining sap green with raw umber and yellow ochre. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast, losing the subtle atmospheric effect.
  • →Using colors that are too saturated.
  • →Ignoring the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (sap green, raw umber, titanium white, yellow ochre, payne's gray)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#6 round brush
  • ·#4 filbert brush

optional

  • ·medium gloss
  • ·easel

Use a limited palette to achieve color harmony. Thin the paints with linseed oil for smoother blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt