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home·artworks·A Passing Cloud
A Passing Cloud by Augustus Edwin Mulready

plate no. 3272

A Passing Cloud

Augustus Edwin Mulready, 1877

oil, canvasNaturalismgenre paintingchildrenumbrellabuildingrainbasketbroom
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a muted palette and creating atmospheric perspective to suggest depth. It also provides practice in capturing the texture of different materials like fabric and stone.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main shapes of the figures and the background, using a limited palette of earth tones.

  4. step 04

    Develop the details of the faces, clothing, and objects, gradually building up layers of paint.

  5. step 05

    Add highlights and shadows to create form and depth.

  6. step 06

    Refine the details of the architectural elements, such as the column and the fence.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red light · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth colors with black and white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much color and losing the muted atmosphere.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes sizes 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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