apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A musician family
A musician family by François-Joseph Navez

plate no. 4308

A musician family

François-Joseph Navez, 1828

oil, canvasNeoclassicismportraitfiguresfamilyinstrumentsportraitdogclothing
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and capturing the textures of various fabrics and materials. It also provides practice in complex composition and depicting multiple figures in a cohesive scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and instruments.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, paying attention to the subtle gradations of light and shadow.

  4. step 04

    Refine the figures, working from general to specific, and gradually building up details.

  5. step 05

    Focus on accurately rendering the skin tones, using layers of thin glazes.

  6. step 06

    Add details to the clothing and instruments, carefully observing the textures and patterns.

  7. step 07

    Pay attention to the light source and how it affects the forms.

  8. step 08

    Make final adjustments to the colors and values to create a harmonious and balanced composition.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · ivory black · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create dark shadows. Mix white with small amounts of other colors to create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth.
  • →Inaccurate rendering of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, ivory black, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs