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home·artworks·A Man with a Pipe
A Man with a Pipe by Boris Grigoriev

plate no. 7312

A Man with a Pipe

Boris Grigoriev, 1931

oilExpressionismportraitportraitmanpipebuildinganimalslandscape
experienced study

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and understanding how to create depth and form with bold brushstrokes. It also provides practice in simplifying complex shapes into geometric forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main shapes and composition, focusing on proportions and placement.

  2. step 02

    Block in the background colors, starting with the sky and then the building and landscape elements.

  3. step 03

    Begin layering the skin tones on the face, using a limited palette and focusing on the planes of the face.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, paying attention to the unique characteristics of the subject.

  5. step 05

    Paint the clothing, using bold brushstrokes and simplified shapes.

  6. step 06

    Add the animals and other details in the background, maintaining a sense of depth and perspective.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a cohesive and expressive image.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · blue · brown · white

secondary · grey · yellow · black

Mix skin tones using a combination of red, brown, yellow, and white. Achieve the blue background by mixing blue with white and a touch of black. Create variations of brown for the building and landscape by mixing brown with yellow, red, and black.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·portraiture
  • ·expressive brushwork
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Failing to create a sense of depth in the background.
  • →Using too many colors and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting varnish
  • ·rags

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Oil paints will allow for more blending, while acrylics will dry faster.

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oil painting for beginners →how to learn by studying the masters →
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