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home·artworks·A London News Boy
A London News Boy by Augustus Edwin Mulready

plate no. 2805

A London News Boy

Augustus Edwin Mulready, 1893

oil, canvasNaturalismgenre paintingfigurestreet scenenewspapersbuildingsposterscityscape
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, creating depth through atmospheric perspective, and capturing the texture of aged surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figure and background.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, paying attention to atmospheric perspective and the details of the buildings and posters.

  4. step 04

    Focus on the figure, building up the form with layers of color and value.

  5. step 05

    Add details to the newspaper and other elements, paying attention to the texture and lettering.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and realism.

  7. step 07

    Add final details, such as highlights and small accents of color.

  8. step 08

    Glaze to unify the painting and adjust the values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of burnt umber and raw sienna to create depth and warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering skin tones
  • ·creating texture with dry brush

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a convincing sense of depth.
  • →Not capturing the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a fine-weave canvas for smoother details. Consider toning the canvas with a thin wash of burnt umber before starting.

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