
plate no. 5192
John William Godward, 1909
Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and subtle gradations of light and shadow. It also offers practice in painting drapery and creating the illusion of translucent fabric.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and the placement of the figure.
Block in the main areas of color: skin, hair, drapery, and background.
Begin layering skin tones, paying close attention to highlights and shadows to create form.
Develop the drapery, using thin glazes to build up color and create the illusion of folds and transparency.
Paint the hair, adding highlights and shadows to define the shape and texture.
Render the marble background, focusing on subtle variations in color and value.
Add details such as the jewelry, the pattern on the dress, and the subtle highlights in the eyes.
Refine the painting, adjusting colors and values as needed to achieve a harmonious and realistic effect.
color palette
primary · titanium white · yellow ochre · alizarin crimson · burnt umber
secondary · ultramarine blue · viridian · ivory black
Skin tones are achieved by mixing white, yellow ochre, and alizarin crimson, with small amounts of burnt umber and blue for shadows. The purple drapery is created by mixing alizarin crimson and ultramarine blue with white for lighter areas.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.
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