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home·artworks·A Grecian Lovely
A Grecian Lovely by John William Godward

plate no. 5192

A Grecian Lovely

John William Godward, 1909

oil, canvasNeoclassicismportraitfigureportraitdraperymarblehairclassical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and subtle gradations of light and shadow. It also offers practice in painting drapery and creating the illusion of translucent fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and the placement of the figure.

  2. step 02

    Block in the main areas of color: skin, hair, drapery, and background.

  3. step 03

    Begin layering skin tones, paying close attention to highlights and shadows to create form.

  4. step 04

    Develop the drapery, using thin glazes to build up color and create the illusion of folds and transparency.

  5. step 05

    Paint the hair, adding highlights and shadows to define the shape and texture.

  6. step 06

    Render the marble background, focusing on subtle variations in color and value.

  7. step 07

    Add details such as the jewelry, the pattern on the dress, and the subtle highlights in the eyes.

  8. step 08

    Refine the painting, adjusting colors and values as needed to achieve a harmonious and realistic effect.

color palette

primary · titanium white · yellow ochre · alizarin crimson · burnt umber

secondary · ultramarine blue · viridian · ivory black

Skin tones are achieved by mixing white, yellow ochre, and alizarin crimson, with small amounts of burnt umber and blue for shadows. The purple drapery is created by mixing alizarin crimson and ultramarine blue with white for lighter areas.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·drapery painting

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to create a smooth transition between light and shadow.
  • →Getting the proportions of the face wrong.
  • →Overtreating the marble background, making it too distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·viridian oil paint
  • ·ivory black oil paint

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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