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A girl selling roses by Augustus Edwin Mulready

plate no. 0639

A girl selling roses

Augustus Edwin Mulready, 1882

oil, canvasNaturalismgenre paintingfigureflowersbuildingstreetbasketadvertisements
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and facial features, as well as creating the illusion of depth and texture through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, paying attention to proportions and perspective.

  2. step 02

    Establish the background with broad washes of color, focusing on the buildings and the wall with advertisements.

  3. step 03

    Block in the main areas of color for the figure, including the skin tones, dress, and hair.

  4. step 04

    Begin layering and blending the skin tones, using subtle variations in color to create form and dimension.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to the light and shadow.

  6. step 06

    Paint the flowers in the basket, using a variety of colors and brushstrokes to create texture and detail.

  7. step 07

    Refine the details of the clothing, hair, and background, adding highlights and shadows to create depth.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of red. Create muted greens by mixing yellow ochre, ultramarine blue, and white.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·blending
  • ·rendering textures

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the freshness.
  • →Failing to create a sense of depth in the background.
  • →Making the colors too saturated or artificial.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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