apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Gentleman and a Lady (Aurelien Scholl and Marie Colombier)
A Gentleman and a Lady (Aurelien Scholl and Marie Colombier) by Felicien Rops

plate no. 2910

A Gentleman and a Lady (Aurelien Scholl and Marie Colombier)

Felicien Rops, 1891

lithographySymbolismgenre paintingfiguresportraitinteriorclothingfurnituremanwoman
some experience helpful

Recreating this painting will help students develop skills in rendering form with value and creating subtle tonal gradations. It also provides practice in capturing likeness and depicting complex textures like fabric.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures and composition.

  2. step 02

    Establish the darkest areas of the painting, focusing on the clothing and background.

  3. step 03

    Gradually build up the mid-tones, paying attention to the direction of light.

  4. step 04

    Add highlights to create form and dimension.

  5. step 05

    Refine the details of the faces and clothing.

  6. step 06

    Work on the background elements, ensuring they don't distract from the main subjects.

  7. step 07

    Add the small dots on the dress.

  8. step 08

    Make final adjustments to the values and details.

color palette

primary · ivory black · titanium white

secondary · payne's gray · raw umber

Mix various shades of gray by combining black and white in different proportions. Add small amounts of raw umber or payne's gray to create warmer or cooler tones.

techniques

  • ·value shading
  • ·cross-hatching
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early.
  • →Creating harsh lines instead of smooth transitions.
  • →Losing the overall value structure.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·graphite pencils

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull