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home·artworks·A Child sleeping in the moonlight
A Child sleeping in the moonlight by Augustus Edwin Mulready

plate no. 0001

A Child sleeping in the moonlight

Augustus Edwin Mulready, 1864

oil, canvasNaturalismgenre paintingfigurebuildingnightmoonlightstreettambourine
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a realistic style and capturing the subtle effects of light and shadow in a nighttime scene. It also provides practice in creating atmospheric perspective and depicting textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and the background.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows on the figure and the architecture.

  4. step 04

    Develop the details of the figure, paying attention to the folds of the clothing and the facial features.

  5. step 05

    Refine the background, creating depth and atmosphere with subtle color variations and soft edges.

  6. step 06

    Add the details of the tambourine and the debris on the ground.

  7. step 07

    Glaze and adjust colors to unify the painting and enhance the mood.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve the subtle grays and browns by mixing ivory black, raw umber, and titanium white in varying proportions. Use small amounts of cadmium red and yellow ochre to warm up the grays and browns. Mix ultramarine blue with burnt sienna to create darker shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of soft edges and subtle color variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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