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home·artworks·24th Street Intersection
24th Street Intersection by Wayne Thiebaud

plate no. 9407

24th Street Intersection

Wayne Thiebaud, 1977

oilExpressionismcityscapecityscapestreetbuildingshilltreescars
some experience helpful

Recreating this painting will help students develop skills in perspective drawing and color mixing to create subtle tonal variations. It also provides practice in simplifying complex scenes into geometric shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the street, buildings, and hill.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Block in the large areas of color for the sky, street, buildings, and hill using simplified shapes.

  4. step 04

    Mix the various shades of gray and green for the street and buildings, paying attention to subtle color shifts.

  5. step 05

    Add details to the buildings, such as windows and architectural features, using a smaller brush.

  6. step 06

    Paint the trees and other vegetation on the hill, using a variety of greens and browns.

  7. step 07

    Add the cars and street markings, paying attention to their perspective and scale.

  8. step 08

    Refine the details and add highlights and shadows to create depth and dimension.

color palette

primary · gray · green · brown · white

secondary · yellow · blue · ochre

Achieve the various shades of gray by mixing white with small amounts of black, blue, and brown. Create the greens by mixing blue and yellow, and adjust the tone with white or brown.

techniques

  • ·linear perspective
  • ·color mixing
  • ·geometric abstraction
  • ·layering
  • ·scumbling

common pitfalls

  • →Inaccurate perspective can ruin the sense of depth and realism.
  • →Overly detailed rendering can detract from the simplified style.
  • →Muddy colors can result from overmixing or using too many colors.
  • →Ignoring subtle color variations can make the painting look flat.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (gray, green, brown, white, yellow, blue)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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