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home·artworks·1918 in Petrograd
1918 in Petrograd by Kuzmá Petrov-Vodkin

plate no. 4843

1918 in Petrograd

Kuzmá Petrov-Vodkin, 1920

oil, canvasSymbolismgenre paintingfigurebuildingcityscapepeoplemotherchild
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a cityscape and understanding how to create depth using color and perspective. Students will also learn to mix a limited palette to create a harmonious color scheme.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figures, the building, and the background.

  2. step 02

    Block in the large areas of color, starting with the background buildings and the sky.

  3. step 03

    Establish the basic values for the mother and child, focusing on the light and shadow patterns.

  4. step 04

    Develop the details of the building, including the windows, arches, and architectural elements.

  5. step 05

    Refine the figures in the background, paying attention to their relative sizes and positions.

  6. step 06

    Add details to the mother and child, such as the folds in their clothing and the features of their faces.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green

Mix ultramarine blue and yellow ochre to create the muted greens. Use burnt umber and cadmium red for the warmer tones in the buildings and skin. Add titanium white to lighten the colors and create highlights.

techniques

  • ·color mixing
  • ·atmospheric perspective
  • ·figure drawing
  • ·blocking in
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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