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home·artworks·Zhoushan Harbour
Zhoushan Harbour by Wu Guanzhong

plate no. 7225

Zhoushan Harbour

Wu Guanzhong, 1980

oilInk and wash paintingmarinaboatsharborwaterskyfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and simplifying complex scenes into expressive brushstrokes. It's also a good exercise in capturing the essence of a scene rather than photorealistic detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the boats and the horizon line, focusing on composition.

  2. step 02

    Establish the overall color scheme by applying a thin wash of diluted paint for the sky and water.

  3. step 03

    Block in the larger shapes of the boats with broad brushstrokes, using darker values for the hulls and lighter values for the reflections.

  4. step 04

    Add details to the boats, such as masts, rigging, and small figures, using smaller brushes.

  5. step 05

    Create atmospheric perspective by blurring the details of the boats in the distance and using lighter, cooler colors.

  6. step 06

    Refine the reflections in the water, paying attention to the direction and intensity of the light.

  7. step 07

    Add final touches, such as highlights and shadows, to create depth and dimension.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · Prussian blue · Titanium white · Yellow ochre

secondary · Burnt umber · Cadmium red light

Mix Prussian blue and white for the sky and water. Add a touch of yellow ochre to warm the blue. Use burnt umber for the darker areas of the boats and masts. Mix small amounts of cadmium red into the other colors for subtle accents.

techniques

  • ·Dry brush
  • ·Impasto
  • ·Scumbling
  • ·Atmospheric perspective
  • ·Broken color

common pitfalls

  • →Overworking the details
  • →Creating too much contrast
  • →Losing the sense of atmosphere
  • →Making the boats too uniform

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian blue, Titanium white, Yellow ochre, Burnt umber, Cadmium red light)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium (Liquin)

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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