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home·artworks·Zelfportret Aan De Ezel
Zelfportret Aan De Ezel by Mommie Schwarz

plate no. 9801

Zelfportret Aan De Ezel

Mommie Schwarz, 1940

oilExpressionismself-portraitself-portraitfigurestill lifefruitpaletteartist
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones and fabric, and creating depth through layering and brushwork. It also offers practice in capturing light and shadow on different surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and still life.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall value structure.

  3. step 03

    Begin building up the skin tones, using subtle color variations to create form.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and shadows.

  5. step 05

    Paint the still life elements, focusing on the highlights and reflections on the fruit and bowl.

  6. step 06

    Refine the background, adding depth and atmosphere with soft brushstrokes.

  7. step 07

    Add final details and highlights to the face and hands.

  8. step 08

    Adjust values and colors as needed to create a cohesive and balanced composition.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · cadmium red · viridian green · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and white for the cool tones in the clothing and background. Mix greens from blue and yellow, adjusting with red for muted shades.

techniques

  • ·alla prima
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of value contrast.
  • →Getting lost in details too early in the process.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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